MODO 601 IS HERE!
For nearly ten years now modo has been a big part of my overall workflow. This is apparent in both my Final Independent Animation Training as well as my Anigen Final Secrets method of creating animation, both of which involve the use of this tool. It all started because of a project I was working on all those years ago, called Daniel: Visions and Dreams. At the time I was using a different toolset for creating models and ran into some issues with a temple I needed to build for one scene. I just couldn't do it. With little to lose, I decided to give it a try in that first version of modo and was met with shock. This model, which was giving me so much trouble, and which I couldn't wrap my head around, just happened in a few minutes. The toolset in modo was that different!
Now, so many years later, we arrive at modo 601, which has to be the most comprehensive upgrade to this software yet. Gone are the days of modo being a simple modeler and renderer. Over time we have seen the addition of complex environments, sculpting, an animation timeline and the famous replicators. Now they have gone even further with the addition of bones and character animation tools, volumetric effects, particles and even dynamics. This puts modo in the big leagues, right up there with the major players in the industry.
I haven't personally tested these new features, but on paper it seems there is little lacking to make modo a possible tool of choice for all of one's 3D animation needs. Of course, we live in an age, now, where using many different software packages to achieve the final result is common. That doesn't mean it wouldn't be great to see some of those tools fall by the wayside. For me, one tool which may be falling out of use will be Vue Infinite.
For years, I absolutely loved Vue Infinite and the power it gave me to create natural scenery, especially for the fantasy style backgrounds I like to do in animation. Still, it was one more tool adding complexity to the workflow. When they came out with version 6, which introduced the amazing clouds, which had a look that always reminded me of the skies in Macross Plus, I was hooked. Great as the results were, though, Vue was far from easy, and certainly never fast. Over time, as you can see in my modo nature video tutorial, modo began to add the tools which created fewer and fewer reasons to go to Vue. Now, in modo 601, they have gone over the top.
The new volumetric rendering engine has brought amazing looking clouds to modo. Of course, it doesn't stop there. The new volumetric rendering in modo is in combination with replicators and their new particle engine. This means you can do smoke, fire, and many other fully animated effects which are not as easily achieved in Vue. When you look at what is possible with modo's surfacing, via the shader tree, the replicators, the environment system and now with real volumetric rendering, you can actually do more than was possible in Vue and you don't have to deal with the incredibly slow renders or flickering.
Needless to say, I am very excited about the new modo 601, even if just for what can be done on the nature side of things, or for backgrounds. When you factor in the new developments in character animation, who knows where this can all go? I haven't actually played with it myself though, so we will see how things develop in the near future.
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